Clearly defined black forms are set against a very pale Naples yellow ground. Their edges remain precise, while the paint within the shapes is applied in a deliberately painterly manner.
In many areas, the Naples yellow remains visible through the black, creating a direct visual connection between form and ground. Geometric clarity meets an open, lively surface, bringing both elements together within a unified pictorial field.
more information
The painting is built up from numerous thin layers of paint consisting of high-quality pigments in an acrylic dispersion.
The black, impasto sections consist of thicker layers of pigment.
The canvas is high-quality Belgian linen primed by the artist himself, whose texture remains clearly visible beneath the thin layers.
It is delivered on a sturdy wooden stretcher frame. The sides are painted, so no additional frame is required.
The painting is ready to hang.
additional frame
not necessary
arrange a visit